This is a review I actually wrote on Amazon almost a year ago. I love giving my two cents on an album or artist, especially ones I can’t stop listening to. The reason why I’m posting this to the blog after all this time is simple. A magazine, Caustic Truths, contacted me and wanted to link to the blog for their Sonata Arctica links. Seeing as the link only went to a category and not an actual review, I decided to resurrect the old review and update it a little. I preserved as much as I could, while updating it for my current writing style and feelings. There wasn’t much to update, thankfully. However, I did add the first line as if I wrote it way back when, just for the sake of continuity. Let’s go back in time, shall we?
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(Februrary, 19th. 2005) I just recently downloaded this album from the iTunes Music Store, and I’m glad my instincts were correct. This is just a unbelievably kick-ass album! Let me just explain it, song by song…
The first track, “Misplaced”, is just awesome! I couldn’t stop listening to this, particularly because the lyrics tell of how we all feel out of place sometimes in the lives we live. The band actually starts the song, then abruptly stops, then continues, depicting a “misplaced” feeling (droll!!). If you listen to the track at sufficient volume, you can hear one or two of the instrument’s background noise going thru the noise gate just a split-second before they start up again. This song reminds me of some of the better songs by Stratovarius, but even better still! There is a definite classic power metal groove in the climactic sections of the chorus… oh, the sound of power! Ok, on to the rest of the album.
The second track, “Blinded No More”, is pretty cool, but in wild contrast to “Misplaced”, as far as the general feeling goes. More power, half the speed. Took a little getting used to, but very likable, and probably IMO the most commercial sounding track on the album (so far!). “Ain’t Your Fairytale” picks up the speed considerably and continues the power metal feel of “Misplaced”, and is just as likable! “Reckoning Day, Reckoning Night” is a meditative piano/synth instrumental piece that soon turns melancholy and serves as the segué into “Don’t Say A Word”, a forceful song with powerful lyrics and music to match. It’s a song taken from the point of view of a man who’s found out that his significant other has cheated on him. Rather than using clichéd lyrics and moods we hear so many times in pop-rock and metal, they bring fresh lyrical ideas and sonic feeling to the subject. I won’t spoil it here… you’ll have to listen for yourself!
After “Don’t Say A Word” comes the mischevious “The Boy Who Wanted To Be A Real Puppet”. This song, on a purely music theory perspective, is my favorie on the album because they do something I normally see very few bands in any metal genre do… they play the WHOLE song in (I do believe it’s) a waltz-y 3/4 time signature! It’s also a very ingenious twist on the Pinoccio fable. “My Selene” is another epic-sounding piece, with lyrics pleading for a forlorn love and a very straightforward double-on, double-off rhythm, and is also a big favorite of mine.
In contrast, “Wildfire” (which I’m listening to as I write this), is my least favorite, but it may please listeners who want a ferocious-sounding frenetic off-the-wall piece. It’s impressive from a musical perspective, as the musicians seem to have gone nuts with ideas on this one, but I have to be in a crazy or pissed-off mood to enjoy it. (Update: It may have been my least favorite, but it turned out to be a song I went back to time and again! It had to have time to grow on me.)
“White Pearl, Black Oceans” is a great epic of a song. Just under nine minutes long (the longest song on the album), it’s a sad tale of a man in charge of a lighthouse and the consequences of forgetting one’s responsibilities. Simply put, it’s a gem of a song (just listen to that chorus!!) and yet another favorite of mine. After this comes “Shamandalie”, a wonderful closing to an awesome album. Starting with piano and acoustic guitar, it quickly builds to a rousing finish and piano ending and is probably the closest thing to a power ballad on the whole album. I should point out that I didn’t get “Wrecking The Sphere” with the rest of the album, since I’m not a fan of studio outtakes, but from what I’ve heard from bits and pieces, it sounds good for anyone who wants to hear a band being silly in the studio (hey, everyone needs to let their hair down on occasion!).
Well, that’s all that I have for this review. I hope it was informative enough to get people to buy into this extremely talented Finnish band (many good new metal acts are coming out of Finland… hmmmm). Thanks for reading this, and thanks to the iTunes store for finally getting some music that I’ll actually buy!!)
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Flash forward to today. I still love this album. I haven’t gotten tired of any of the tracks, though I don’t listen to them 500 times a day like I used to! It’s a real treat to listen to any of the songs, and I’m sure the next offering that the group is currently mixing down will continue their tradition of great power/prog metal.